I didn’t start my subscription to Clarkesworld Magazine until after the first of January, so the February issue is my first issue. It was worth the wait.

For me the first story is an outlier. I didn’t like it very much. In fact, I’m not sure I really understood it. Maybe I was too tired. Maybe it just isn’t for me. You be the judge of “The Portrait of a Survivor, Observed from the Water” by Yukimi Ogawa. It didn’t work for me. (My rating: 2/5)

There is a lot of talk these days about AI. One researcher even believes that the AI he works with is sentient! In “Somewhere, It’s About to Be Spring“, Samantha Murray tells how a space ship achieves sentience throughout its systems after losing its crew. A touching story. (My rating: 4/5)

A philosopher of cognition doesn’t sound promising as a short story writer. But in “Larva Pupa Imago” Eric Schwitzgebel tells the fascinating journey of a caterpillar from birth to becoming a butterfly. As a caterpillar he enjoys a close friendship until he becomes a butterfly and sets out to procreate. (My rating: 4/5)

“An Ode to Stardust” by R. P. Sand is about a woman hampered by real chronic pain her whole life. She tries to hide it from everyone around her and succeeds to become the youngest commander on the moon. There, for the first time, she makes a friend that she can be completely honest with. And it changes both their lives. (My rating: 5/5)

“Introduction to 2181 Overture, Second Edition” by Gu Shi, translated by Emily Jin is presented as the introduction to a book in the future about cryosleep. People are frozen until their terminal illness has a treatment. This is nothing new in fiction. But the author goes a bit further. People become voluntary “time migrants”. They allow themselves to be frozen for a time so they can travel into the future where presumably things will be better. Throughout this story is weaved the author’s relationship to the history of cryosleep. Wonderfully told. (My rating: 4/5)

Time for the next magazine review in my year of short fiction. This one is Uncanny Magazine Issue 50 for January/February 2023. Let’s dive right into the story reviews!

The first story, “Collaboration?” by Ken Liu & Caroline M. Yoachim, is experimental. It attempts to tell the story of two beings creating worlds together. In the ebook version they use what they call an accessible version that will work for screen readers. It didn’t really work for me. It’s a little better on the website but still not my cup of tea. (My rating: 2/5)

Next up is “Cold Relations” by Mary Robinette Kowal. This is by far my favorite story of the year so far. It tells the tale of a brother and sister on opposites sides of the law where magic is concerned. They’ve become estranged but start to come together in a way that surprises. Emotion-filled storytelling that is both realistic and tugs at the heart. (My rating: 5/5)

“How to Raise a Kraken in Your Bathtub” by P. Djèlí Clark is exactly what it sounds like in the title. A wannabe somebody in the Victorian era mail orders a kraken egg and raises it in his bathtub. As you can imaging, things don’t go to plan. The author really brings you into the world of his unlikable protagonist and makes you feel the consequences of his hubris. (My rating: 4/5)

A. T. Greenblatt shows us “Waystation City” through the experience of twins who are seeking to leave it. Everyone arrives without knowing when they will leave. The twins get tired of waiting and seek a guide to get out sooner, as many others have. The feel of the city and how those in it are feeling really shine. (My rating: 5/5)

Imagine a plague-ridden world hollowed out by millions of deaths that has descended into a dictatorial corporate government. Now you are a trans woman living alone in an apartment where you once cared for the now-dead owner. Oh, and “you see dead people”, that is ghosts. This is the setup for “Horsewoman” by A.M. Dellamonica. The loneliness amidst all the voices is what came through most to me. (My rating: 3/5)

In “Flower, Daughter, Soil, Seed” by Eugenia Triantafyllou, a mother tells her daughter of the women in her family all the way back to her great great grandmother. The twist here is that they are all flowers. Each generation is a different flower that grew up in a different environment. The love flows through and down to each new generation. (My rating: 4/5)

In “One Man’s Treasure“ by Sarah Pinsker, the wealthy have so much magic they can afford to throw away its tools and artifacts. The garbage workers need to be careful not to be hexed by the things they pick up. One crew finds a statue that may be more than it seems. This story felt very Agatha Christie to me in all the best ways. (My rating: 4/5)

What if the Jesuits had an enclave on the moon? Why the moon? What would they do there? How would they relate the church authorities? E. Lily Yu explores these questions and more in “The Father Provincial of Mare Imbrium“. Like other Jesuits, these are scientists, and they discover something important. But will they be allowed to share their findings? (My rating: 5/5)

A cold, dark man arrives at a small village each month to take one of the women to be his servant for the month. No one ever sees these women again. “Silver Necklace, Golden Ring” by Marie Brennan is the story of one of these women. But she resolves to do something about her situation and takes her fate into her own hands. A well-told fairy tale of female agency in less than ideal circumstances. (My rating: 4/5)

Married husbands accompany a young female magician into the desert to guard her as she undoes the magic  at the request of a recently deceased woman who performed that magic long ago in “Miz Boudreaux’s Last Ride” by Christopher Caldwell. Shades of Alfred Hitchcock’s The Birds heighten the fear and foreboding. (My rating: 3/5)

No matter where he lives or tries to escape it, the protagonist of John Wiswell’s “Bad Doors” simply cannot get away from the mysterious door that keeps appearing in the walls of his homes. It doesn’t help that he is dealing with a global pandemic and an uncle deep into conspiracy theories. Angst and helplessness and frustration are on hand here. (My rating: 3/5)

In “Prospect Heights” by Maureen McHugh, a young woman in a gentrified neighborhood of New York is warned not to turn right out of her apartment. Of course, she does, and as she explores the dilapidated building thinks she sees herself. Nothing really new here for me but the imagery and writing are good. (My rating: 3/5)

One bonus review. I don’t normally review the essays in these magazines, though I do read them. I highly recommend from this issue “Building Better Worlds” by Javier Grillo–Marxuach which discusses how world building in fiction works. It deals mostly with film and TV but also applies to writing. It is fantastic resource for any storyteller.

Overall, this was an excellent issue in my opinion. My short fiction ratings average out to 3.75. I’m looking forward to reading more short stories in my February issues!

I previously subscribed to Lightspeed Magazine a few years ago. I resubscribed as part of my “year of short fiction”. Here are my brief reviews for the fiction in Issue 152 for January 2023, my first since I started reading it again.

The first story in the issue is The Last Serving by Lincoln Michel, about a vegetarian cook who conquers the culinary world and looks for her next challenge. She settles on learning to cook meat, but with a unique approach. As a vegan, I really connected with this. I really felt the motivation for the chef’s vegetarianism, and it ends with a humdinger of a twist. (My rating: 5/5)

This is followed by A Guide to Alien Terms Useful in the Human Diaspora by Deborah L. Davitt, a short glossary of alien linguistic terms. It is an interesting look at culture and language. It ends with a paragraph that uses all the words in the glossary. I found the format to be unique but the piece itself was just okay for me. (My rating: 3/5)

Imagine Survivor or The Amazing Race on a planetoid where if you die as a fan favorite, they simply bring you back to life and re-insert you into the program. Oh, and you are indentured to the production company. Two of the characters conspire to find a way out in The Narrative Implications of You Untimely Death by Isabel J. Kim. This is a well-written and entertaining exploration of facing hopelessness. It really grabbed me. (My rating: 5/5)

From the Largest Crater by Jendayi Brooks-Flemister is story of separation anxiety told as audio diary entries. A woman goes on an expedition from the moon to earth in an attempt to save her climate ravaged birthplace. Her wife stays home alone missing her. The telling felt overly long and didn’t feel like a particularly new take on this theme. (My rating: 2/5)

This is followed by one of the longest titled short stories I’ve ever seen–A Man Walks Into a Bar; or, In Which More Than Four Decades After My Father’s Reluctant Night of Darts on West 54th Street, I Finally Understand What Needs to Be Done by Scott Edelman. In it a son tells us of his dad who played darts in a league in the seventies and his run in with a particular famous New Yorker. The love and connection to his father really come out on the page. And what he decides to do in the end is an unexpected turn. (My rating: 5/5)

In Braid Me a Howling Tongue, Maria Dong tells of young enslaved girls living and working together. Once every five days they are put outside to fend for themselves as they are hunted by a large creature. One of those girls is an outsider with no tongue. She connects with another of the girls as they learn to cope with their circumstances and seek to better them. A very touching and haunting story of love and care for others told from a place filled with despair. (My rating: 5/5)

In Between the Stones and the Stars by A. L. Goldfuss a hunter and a warrior arrive at a temple to claim the same prize–a chalice. But rather than fight, they decide to camp together and share their food and enjoy each other’s company. But what about the chalice? I enjoyed how this trope was humanized through the individual experiences of each character. A short read worth your time. (My rating: 4/5)

The focus is on light in In the Deep Woods; The Light is Different There by Seanen Mc Guire. A young woman recently divorced spends a night in her family’s old house in the country. The parts of this story (the light, the protagonist, the neighbors) didn’t come together well for me despite the excellent writing. (My rating: 3/5)

I love stories that deal with deep human issues. The final story, The Ministry of Saturn by Benjamin Peek, explores the nature of creativity, freedom, power over others, and what we owe others. This is the tale of a magician, a homunculus, and his creator. (My rating: 4/5)

My average rating for the fiction in this issue comes out to an even 4. An excellent issue with a mix of great stories well told. I look forward to reading the next issue.

Every other month, I read the latest issue of Uncanny Magazine. Why do I do this? Lots of reason, really. There are great stories in each issue by well-known and new writers. The non-fiction essays touch on topics modern with respect to our culture and how it is evolving. But mostly I love how new cultural and technical ideas are explored in its pages.

Speculative fiction is my favorite genre. I love it when a writer takes some idea, tool, or practice in today’s world and twists it with a “what if” that explores some aspect of that thing that most of us have yet to consider or think about. That’s why I read this magazine. Six times a year, I get to read the thoughts of people who have pondered these ideas deeply and share them through stories and essays. I encourage you to dive in and see for yourself.

Here are the pieces I most appreciated in the latest issue of Uncanny Magazine, Issue 49 November/December 2022.

• “Rabbit Test” by Samantha Mills – a timely tale of pregnancies and abortion.
• “The Other Side of Mictlān” by Matthew Olivas – an exploration of family and magic.
• “can i offer you a nice egg in this trying time” by Iori Kusano – a story of fast food, identity, and longing. (available online December 6).
  

I still subscribe to and read every issue of Uncanny Magazine. The latest is September/October 2022. Here are my favorite stories and essays.

• Girl, Cat, Wolf, Moon by Rati Mehrotra – a tale of cats, magic, and monsters
• The Portal Keeper by Lavie Tidhar – an exploration of duty and relationships
• As One Listens to the Rain by Andrea Chapela, translated by Emma Törzs – a look at the future and hard choices
• Radcliffe Hall by Miyuki Jane Pinckard – a gothic novella of love and hauntings
• Breaking Out of Capitalist Realism by Juliet Kemp – a provocative and compelling essay

I’ve been a subscriber to Uncanny magazine for a little over a year now. I just finished reading issue 47, the July/August 2022 issue. It is the best issue since I started subscribing. Here are my favorite stories from the issue.

• Fate, Hope, Friendship, Foe by Marie Brennan is a story about trickster gods in modern-day middle America.
• Family Cooking by AnaMaria Curtis tells the story of magic in the kitchen and how emotions between generations affect the culinary results.
• At the Lighthouse Out by the Othersea by Juliet Kemp gently embraces familial obligations from the point of view of both the lighthouse keeper and a visitor seeking to fulfill a siblings final wish.
• If You Find Yourself Speaking to God, Address God with the Informal You by John Chu crosses a superhero story with racial issues in a way that connects and challenges.
• Bramblewilde by Jordan Taylor is an old-fashioned fairy tale told that way but with feminist sensibilities.

Every issue of this magazine uses speculative fiction to address the very human issues of today. Sometimes the stories are challenging and emotional. Sometimes they are just a romp. And more often than you might think, they are both. Each issue is reading. Consider supporting these writers by subscribing.