Too Literary for Me

As I set out on my year of short fiction, I looked through my “to read” list of books for short story collections. One of these was Cathedral by Raymond Carver. It came to my attention in part because it was a finalist for the Pulitzer Prize. I decided to read it for my first short story collection of the year.

I am a huge fan of the short story form in part because of the influence of O. Henry. He is well-known for his use of irony and quick turns at the end of his stories. I also appreciate how due to their brevity, short stories often simply dip into a characters life and then leave without necessarily resolving everything or tying it all in a neat bow. Sometimes it is messy, like real life. Many of the stories in Cathedral have this last quality, perhaps all of them. Despite this, I have to say that I wasn’t a fan of Carver’s style.

The stories in this collection have as their theme in some way relationships, mostly friendship and marriage. And while the stories are quick glimpses into their lives, they didn’t feel like they had that much to say about them. I found them voyeuristic rather than entertaining or challenging. The writing is amazing, but I just didn’t understand why I was reading about these people. What was the point? Perhaps the stories were a bit too literary for me.

Uncanny Magazine Issue 50

Time for the next magazine review in my year of short fiction. This one is Uncanny Magazine Issue 50 for January/February 2023. Let’s dive right into the story reviews!

The first story, “Collaboration?” by Ken Liu & Caroline M. Yoachim, is experimental. It attempts to tell the story of two beings creating worlds together. In the ebook version they use what they call an accessible version that will work for screen readers. It didn’t really work for me. It’s a little better on the website but still not my cup of tea. (My rating: 2/5)

Next up is “Cold Relations” by Mary Robinette Kowal. This is by far my favorite story of the year so far. It tells the tale of a brother and sister on opposites sides of the law where magic is concerned. They’ve become estranged but start to come together in a way that surprises. Emotion-filled storytelling that is both realistic and tugs at the heart. (My rating: 5/5)

“How to Raise a Kraken in Your Bathtub” by P. Djèlí Clark is exactly what it sounds like in the title. A wannabe somebody in the Victorian era mail orders a kraken egg and raises it in his bathtub. As you can imaging, things don’t go to plan. The author really brings you into the world of his unlikable protagonist and makes you feel the consequences of his hubris. (My rating: 4/5)

A. T. Greenblatt shows us “Waystation City” through the experience of twins who are seeking to leave it. Everyone arrives without knowing when they will leave. The twins get tired of waiting and seek a guide to get out sooner, as many others have. The feel of the city and how those in it are feeling really shine. (My rating: 5/5)

Imagine a plague-ridden world hollowed out by millions of deaths that has descended into a dictatorial corporate government. Now you are a trans woman living alone in an apartment where you once cared for the now-dead owner. Oh, and “you see dead people”, that is ghosts. This is the setup for “Horsewoman” by A.M. Dellamonica. The loneliness amidst all the voices is what came through most to me. (My rating: 3/5)

In “Flower, Daughter, Soil, Seed” by Eugenia Triantafyllou, a mother tells her daughter of the women in her family all the way back to her great great grandmother. The twist here is that they are all flowers. Each generation is a different flower that grew up in a different environment. The love flows through and down to each new generation. (My rating: 4/5)

In “One Man’s Treasure“ by Sarah Pinsker, the wealthy have so much magic they can afford to throw away its tools and artifacts. The garbage workers need to be careful not to be hexed by the things they pick up. One crew finds a statue that may be more than it seems. This story felt very Agatha Christie to me in all the best ways. (My rating: 4/5)

What if the Jesuits had an enclave on the moon? Why the moon? What would they do there? How would they relate the church authorities? E. Lily Yu explores these questions and more in “The Father Provincial of Mare Imbrium“. Like other Jesuits, these are scientists, and they discover something important. But will they be allowed to share their findings? (My rating: 5/5)

A cold, dark man arrives at a small village each month to take one of the women to be his servant for the month. No one ever sees these women again. “Silver Necklace, Golden Ring” by Marie Brennan is the story of one of these women. But she resolves to do something about her situation and takes her fate into her own hands. A well-told fairy tale of female agency in less than ideal circumstances. (My rating: 4/5)

Married husbands accompany a young female magician into the desert to guard her as she undoes the magic at the request of a recently deceased woman who performed that magic long ago in “Miz Boudreaux’s Last Ride” by Christopher Caldwell. Shades of Alfred Hitchcock’s The Birds heighten the fear and foreboding. (My rating: 3/5)

No matter where he lives or tries to escape it, the protagonist of John Wiswell’s “Bad Doors” simply cannot get away from the mysterious door that keeps appearing in the walls of his homes. It doesn’t help that he is dealing with a global pandemic and an uncle deep into conspiracy theories. Angst and helplessness and frustration are on hand here. (My rating: 3/5)

In “Prospect Heights” by Maureen McHugh, a young woman in a gentrified neighborhood of New York is warned not to turn right out of her apartment. Of course, she does, and as she explores the dilapidated building thinks she sees herself. Nothing really new here for me but the imagery and writing are good. (My rating: 3/5)

One bonus review. I don’t normally review the essays in these magazines, though I do read them. I highly recommend from this issue “Building Better Worlds” by Javier Grillo–Marxuach which discusses how world building in fiction works. It deals mostly with film and TV but also applies to writing. It is fantastic resource for any storyteller.

Overall, this was an excellent issue in my opinion. My short fiction ratings average out to 3.75. I’m looking forward to reading more short stories in my February issues!

Lightspeed Magazine Issue 152

I previously subscribed to Lightspeed Magazine a few years ago. I resubscribed as part of my “year of short fiction”. Here are my brief reviews for the fiction in Issue 152 for January 2023, my first since I started reading it again.

The first story in the issue is The Last Serving by Lincoln Michel, about a vegetarian cook who conquers the culinary world and looks for her next challenge. She settles on learning to cook meat, but with a unique approach. As a vegan, I really connected with this. I really felt the motivation for the chef’s vegetarianism, and it ends with a humdinger of a twist. (My rating: 5/5)

This is followed by A Guide to Alien Terms Useful in the Human Diaspora by Deborah L. Davitt, a short glossary of alien linguistic terms. It is an interesting look at culture and language. It ends with a paragraph that uses all the words in the glossary. I found the format to be unique but the piece itself was just okay for me. (My rating: 3/5)

Imagine Survivor or The Amazing Race on a planetoid where if you die as a fan favorite, they simply bring you back to life and re-insert you into the program. Oh, and you are indentured to the production company. Two of the characters conspire to find a way out in The Narrative Implications of You Untimely Death by Isabel J. Kim. This is a well-written and entertaining exploration of facing hopelessness. It really grabbed me. (My rating: 5/5)

From the Largest Crater by Jendayi Brooks-Flemister is story of separation anxiety told as audio diary entries. A woman goes on an expedition from the moon to earth in an attempt to save her climate ravaged birthplace. Her wife stays home alone missing her. The telling felt overly long and didn’t feel like a particularly new take on this theme. (My rating: 2/5)

This is followed by one of the longest titled short stories I’ve ever seen–A Man Walks Into a Bar; or, In Which More Than Four Decades After My Father’s Reluctant Night of Darts on West 54th Street, I Finally Understand What Needs to Be Done by Scott Edelman. In it a son tells us of his dad who played darts in a league in the seventies and his run in with a particular famous New Yorker. The love and connection to his father really come out on the page. And what he decides to do in the end is an unexpected turn. (My rating: 5/5)

In Braid Me a Howling Tongue, Maria Dong tells of young enslaved girls living and working together. Once every five days they are put outside to fend for themselves as they are hunted by a large creature. One of those girls is an outsider with no tongue. She connects with another of the girls as they learn to cope with their circumstances and seek to better them. A very touching and haunting story of love and care for others told from a place filled with despair. (My rating: 5/5)

In Between the Stones and the Stars by A. L. Goldfuss a hunter and a warrior arrive at a temple to claim the same prize–a chalice. But rather than fight, they decide to camp together and share their food and enjoy each other’s company. But what about the chalice? I enjoyed how this trope was humanized through the individual experiences of each character. A short read worth your time. (My rating: 4/5)

The focus is on light in In the Deep Woods; The Light is Different There by Seanen Mc Guire. A young woman recently divorced spends a night in her family’s old house in the country. The parts of this story (the light, the protagonist, the neighbors) didn’t come together well for me despite the excellent writing. (My rating: 3/5)

I love stories that deal with deep human issues. The final story, The Ministry of Saturn by Benjamin Peek, explores the nature of creativity, freedom, power over others, and what we owe others. This is the tale of a magician, a homunculus, and his creator. (My rating: 4/5)

My average rating for the fiction in this issue comes out to an even 4. An excellent issue with a mix of great stories well told. I look forward to reading the next issue.

Apex Magazine Issue 135

I finished reading my first issue of Apex Magazine! It was the first issue of 2023, number 135. On the whole, I enjoyed it. Interestingly my favorite two stories were the classic fiction that were originally published elsewhere. Hopefully that won’t always be the case. Now on to my brief review of each story.

The Big Glass Box and the Boys Inside by Isabel J. Kim is one of those rare stories written in the second person, making you feel like the story is about you. You work as an intern downtown in a glass high rise for a global magical corporation. The longer you work there, the more your body transforms. If you decide to accept their offer of a permanent position at the end of the summer, your body will become completely transformed; you will no longer be human. But that’s okay, you have no intention of staying. But maybe that boy across the office may change things…. This is a well-told story exploring the deeper aspects of what we really want out of life. (My rating: 4/5)

In Carnival Ever After, Mari Ness tells a tale of a woman who has joins the carnival due to an unusual condition that her family just couldn’t accept. When someone comes to “save” her, she might not be interested in leaving the supporting arms of her new “family”. While this story is interesting, it treads on ground that feels already well covered without offering much new to say. (My rating: 3/5)

A chess game forms the outline of The Immortal Game by Lindz McLeod. But don’t worry if you don’t know anything about the game. The story works even if you don’t understand chess notation. It is the story of a seduction. But who is seducing who and to what end? This is a somewhat familiar story told in a novel way. (My rating: 4/5)

Daughter, Mother, Charcoal by Akis Linardos is a story of generational subservience, showing just how difficult it can be to change one’s circumstance. And it isn’t always the physical obstacles that get in the way. It can be our culture as well as our own resulting mental states that hold us back and why it can take generations to change. This story evokes the feelings of darkness and despair that go along with challenges of such circumstances. (My rating: 4/5)

There was just one story that really didn’t do it for me. It was The Wreck of the Medusa by Jordan Kurella. A young trans boy comes of age on a pirate ship. It might just be me or my environment when I read it, but this story felt all over the place. I wasn’t sure what was happening or even what the point was. It is a story of transformation and growing into yourself, but it just didn’t quite work for me. (My rating: 2/5)

The shortest story in the issue is Experimental Protocol for the Coronal Sectioning and Assessment of a Human Soul by Sagan Yee. It intertwines a quasi-medical document describing how to remove a soul with a dying person’s telling briefly of their life as they approach their own end. It is clinical, beautiful, and haunting all at the same time and only 800 words. (My rating: 4/5)

Walking the Deep Down by Michelle Denham is a clever fable about a trek through the desert, avoiding being eaten by a monster, and planting something special that grows into something unexpected. The main character avoids the foolishness in old fairy tales and wisely outfoxes the monster in way that is reminiscent of Aesop’s fables. (My rating: 4/5)

Message in a Vessel by V. G. Harrison takes place on the moon in a future where some sort of medical disaster has split humanity into vampires and humans. The humans have essentially become livestock that the vampires feed from. One vampire isn’t entirely comfortable with this state of things. Her compassion and sense of justice is too much to resist as she attempts to save a human life. The world building is fantastic for such a short tale and the characters and circumstances really come alive. (My rating: 5/5)

My favorite story by far is Your Rover is Here by LP Kindred. A Rover driver (think Uber or Lyft) tells of how he uses magic to thwart a would be terrorist’s attack by one of his rides. In the aftermath, he is not treated as a hero. A thrilling but dark tale about the reality of social injustice from the view of someone in the midst of suffering it. (My rating: 5/5)

When I average my ratings for all the stories, this issue comes out to be a 3.8. Not bad! But as I said in the intro, the two best stories were not originals. Regardless, for a first issue this was a good experience. Dark stories that touch on deep human issues in ways that engage all the senses and make you feel something. That’s what I was hoping for from Apex, and it delivered.

2023: My Year of Short Fiction

January Covers for Uncanny, Analog, Apex, Asimov's, Clarkesworld, and Lightspeed Magazines

My favorite theme in fiction is exploring the human condition. By that I mean dealing with the everyday challenges for what it means to be human: survival, relationships, morality, how did we get here, what is the purpose of life. Any story that touches on these and how characters deal with them is my kind of story.

My favorite genre for this theme is science fiction. Not so much the space opera as the “what if”. Like, what would happen if an astronaut was left behind on Mars (The Martian by Andy Weir)? Or, what would happen if a human was raised by aliens and then came back to earth (Stranger in a Strange Land by Robert Heinlein)? For me the best science fiction takes the trends of today, extrapolates into the future where they could lead, and explores that world through story. Currently, one of the best authors for this is Cory Doctorow (Two examples are Little Brother and Pirate Cinema).

One challenge about contemporary science fiction is that the world changes so fast while publishing takes so long. Once a manuscript has been submitted to a publisher it could take one or two years to get it into the reader’s hands. Consequently, some of the most timely science fiction comes in the form of short fiction (short stories, novelettes, novellas). These often take much less time to get to print. And when they are published online, it takes even less time.

For the past year I have subscribed to and read one of these magazines–Uncanny Magazine. As I thought about what I wanted to read in the new year, I had an idea. What if I focused in 2023 on reading short fiction rather than novels? I am a member of a book club so I would still read novels, just fewer. I decided to go for it. So now I subscribe to an additional five short fiction magazines that publish in three genres–science fiction, fantasy, and horror. These additional magazines are:

Analog Magazine (print)
Apex Magazine (ebook)
Asimov’s Science Fiction Magazine (print)
Clarkesworld Magazine (ebook)
Lightspeed Magazine (ebook)

I have set up a spreadsheet to track all the stories I read in these magazines this year, including a brief summary for each. I will share that in some form here as I go, but I am not sure yet how. Perhaps as a single post as I finish each issue. I am excited about this project and look forward to recording my journey here!

Bite Sized Stephen King

I took a short vacation to Charleston, SC for the New Year. We drove there and back from Western North Carolina. As we usually do, we listened to audiobooks during the drive. On the way there, we started listening to Behind Her Lives by Briana Cole. This was a missing person thriller. Well, they got the missing person part right. We did not find it thrilling. It moved too slowly. And there were some odd word choices that seemed wrong. Maybe the narrator read the wrong word? That’s what it sounded like. In any case, we turned it off before we even finished our four and a half hour drive. Definitely not recommended.

I spent some time on New Year’s Day looking for a short audiobook for the ride home. Something in the four to five hour range. There isn’t much in that time frame, especially that is a thriller. I landed on Elevation by Stephen King. It isn’t exactly what I would call a thriller, but that is how my library tagged it. It is the story of a man with a mysterious malady who uses it to help out a couple being discriminated against in small town New England. It has the fantastic storytelling that King is famous for in a package that is much smaller than usual for him.

We were pleased to learn that there were actually two short stories in the audiobook. The second is simply called “Laurie”. It tells the story of how a puppy changes the life of a recent widower in Florida who is finding it hard to move on with his life. It is funny, poignant, and completely relatable, especially to anyone who had ever had a puppy.

Unusual Style

I Have No Mouth and I Must Scream book cover

I was familiar with the name, but I had never read anything by Harlan Ellison. Recently his Hugo Award winning short story “I Have No Mouth and I Must Scream” came to my attention, so I borrowed the book of the same name from my library. It is a collection of some of his short stories, originally published in 1967.

The book includes an introduction by Theodore Sturgeon and a Foreword by the author. The author also writes a brief introduction to each story in the collection. The story titles are:

I Have No Mouth & I Must Scream
Big Sam Was My Friend
Eyes of Dust
Word of the Myth
Lonelyache
Delusion for a Dragon Slayer
Pretty Maggie Moneyeyes

My favorite stories are the first and last. His style is unusual. A bit stream of consciousness. In the foreword and introduction, both writers comment on how Ellison’s style is not for everyone. For me, the stories here were a mixed bag. Some I liked okay. Some felt a bit dated. Overall, I have to say that I appreciate having read this book, but I don’t know if or when I might pick up anything else by Harlan Ellison.

Why I Read Uncanny Magazine

Every other month, I read the latest issue of Uncanny Magazine. Why do I do this? Lots of reason, really. There are great stories in each issue by well-known and new writers. The non-fiction essays touch on topics modern with respect to our culture and how it is evolving. But mostly I love how new cultural and technical ideas are explored in its pages.

Speculative fiction is my favorite genre. I love it when a writer takes some idea, tool, or practice in today’s world and twists it with a “what if” that explores some aspect of that thing that most of us have yet to consider or think about. That’s why I read this magazine. Six times a year, I get to read the thoughts of people who have pondered these ideas deeply and share them through stories and essays. I encourage you to dive in and see for yourself.

Here are the pieces I most appreciated in the latest issue of Uncanny Magazine, Issue 49 November/December 2022.

“Rabbit Test” by Samantha Mills – a timely tale of pregnancies and abortion.
“The Other Side of Mictlān” by Matthew Olivas – an exploration of family and magic.
“can i offer you a nice egg in this trying time” by Iori Kusano – a story of fast food, identity, and longing. (available online December 6).

Short Science Fiction and Fantasy

I still subscribe to and read every issue of Uncanny Magazine. The latest is September/October 2022. Here are my favorite stories and essays.

Girl, Cat, Wolf, Moon by Rati Mehrotra – a tale of cats, magic, and monsters
The Portal Keeper by Lavie Tidhar – an exploration of duty and relationships
As One Listens to the Rain by Andrea Chapela, translated by Emma Törzs – a look at the future and hard choices
Radcliffe Hall by Miyuki Jane Pinckard – a gothic novella of love and hauntings
Breaking Out of Capitalist Realism by Juliet Kemp – a provocative and compelling essay

Excellent Storytelling in Speculative Fiction

I’ve been a subscriber to Uncanny magazine for a little over a year now. I just finished reading issue 47, the July/August 2022 issue. It is the best issue since I started subscribing. Here are my favorite stories from the issue.

Fate, Hope, Friendship, Foe by Marie Brennan is a story about trickster gods in modern-day middle America.
Family Cooking by AnaMaria Curtis tells the story of magic in the kitchen and how emotions between generations affect the culinary results.
At the Lighthouse Out by the Othersea by Juliet Kemp gently embraces familial obligations from the point of view of both the lighthouse keeper and a visitor seeking to fulfill a siblings final wish.
If You Find Yourself Speaking to God, Address God with the Informal You by John Chu crosses a superhero story with racial issues in a way that connects and challenges.
Bramblewilde by Jordan Taylor is an old-fashioned fairy tale told that way but with feminist sensibilities.

Every issue of this magazine uses speculative fiction to address the very human issues of today. Sometimes the stories are challenging and emotional. Sometimes they are just a romp. And more often than you might think, they are both. Each issue is reading. Consider supporting these writers by subscribing.