Clarkesworld Magazine Issue 198

Images of a farm are reflected in the visor of an astronaut as s/he floats above the earth, head upside down relative to the cover with the earth below

The March issue of Clarkesworld Magazine was a mixed bag for me. There were two stories that I simply loved, one I didn’t like much at all, and two that were just meh. Here are my brief individual reviews for each story.

The opening story “Love in the Season of New Dance” by Bo Balder is a poignant tale of a researcher on an alien planet studying a cicada-like species. This researcher is touched by the predicament of a single creature as it breaks through to the surface long before its fellows, dooming it to die before the rest arise. A touching relationship grows through their short time together. (My rating: 4/5)

In “Pinocchio Photography” by Angela Liu, the main character is a photographer in an eerie future where the dead can be animated post mortem and their pictures taken with loved ones with a special type of film. This photographer starts the job as a side hustle that her mother disapproves of and her dying father sees her enjoying. They all come together in a bittersweet and emotional conclusion. (My rating: 5/5)

“The Spoil Heap” by Fiona Moore takes place across two times—the story’s present and past as the main character Morag remembers it. The back and forth between the two time periods gives the tale a slowly unfolding suspense as it reveals what is actually happening in the present. And that present is a post apocalyptic world that fell into a form of feudalism before Morag took action to create the world of the present. (My rating: 5/5)

Bek of “Bek, Ascendant” by Shari Paul has left her home planet just prior to its destruction and become part of a team of aliens who help to resettle species that have lost their home planets. She had thought that she was the last human alive but finds that many from her planet were rescued by the alien confederacy that she is now a part of. And her childhood friend the Emperor is still alive. And now her team is being sent to manage their resettlement. How will she handle this unforeseen turn of events? (My rating: 3/5)

In a future where clones are created regularly by corporations, the clones are only given rights and recognized as “human” (rather than property) once they pass a test to “convert”. If a clone fails to convert, it is automatically destroyed at a certain age via an implant. But some unconverted clones don’t want to recognize such a system by participating in the testing process. One clone who works for a cloning company is challenged by this choice in “Failure to Convert” by Shih-Li Kow. This story is a touching exploration of what it means to be human and the choices that make us more or less so. (My rating: 4/5)

What it means to be human is also explored in “Zeta-Epsilon” by Isabel J. Kim. It is an emotional story of a brother and sister raised together and treated as property by the company that created their relationship. The brother is human and the sister is a sentient AI that was planted in his brain. They were raised together to become a ship (the sister) and its pilot (the brother). But they both want more than that from life. They want freedom and agency. This is the story of how they seek that together. (My rating: 4/5)

It wasn’t clear to me at first what was going on it “AI Aboard the Golden Parrot” by Louise Hughes. It is one of those stories that kind of dumps you into the tale and leaves you to figure out what it means as you go. That can work well sometimes, but that isn’t the case here. At least not for me. The story is about an old pirate carnival ride that is now roaming the ocean as it cautiously approaches a city that seems not to want it to. (My rating: 3/5)

The final story of the issue, “Love is a Process of Unbecoming” by Jonathan Kincaid, was a complete disappointment for me. It felt experimental, and the experiment failed. It seems to be about an infection and what is does to its host. But it felt like a jumble, and I never really understood what was going on. But, maybe that’s just me. It might be just what someone else is looking for. (My rating: 2/5)

The wonderful in this issue is weighed down a bit by the meh and jumbled stories to yield an overall rating of the fiction of 3.75. Definitely worth a read for the high rated stories.

The Book of the Unnamed Midwife by Meg Elison

The Book of the Unnamed Midwife book cover

The premise of this book really drew me in. It fits with other dystopias like Stephen King’s The Stand and Cormac McCarthy’s The Road. It also has a feminist twist that amped my eagerness to read it. The story is that of a woman who is an obstetric nurse at a hospital in San Francisco when an airborne plague breaks out that kills nearly everyone who gets it. The thing is, women and children are ten times more likely to die from it, leaving a world of almost no women or children. Everyone is left to fend for themselves. What does a lone woman do in a world like this? That is the premise. Unfortunately for me, it did not live up the the promise I saw in it, despite it having won the 2014 Philip K. Dick Award.

The thing that really spoiled this book for me was the editing. This book really needed better editing. Many times, especially in the beginning, I found myself struggling to understand the action happening in the story. It was unclear and seemed to subtly but not clearly contradict earlier action. For example, in one paragraph the characters might be facing each other; in the next, one turns around to face the other. Huh? When and how did they end up facing away from each other? But I also found a complete, glaring error.

This mistake occurs in chapter eight where the author describes the scientists seeking a vaccine for the plague. They develop one and then look for those who are already infected to test it on. “They developed a vaccine, and a FEMA crew flew it into St. Louis to find infected persons on whom to test it.” Except that is not how vaccines are tested or used. They don’t treat disease, they prevent it. Vaccines are tested on those who are not infected. In challenge trials, those who receive the vaccine are deliberately exposed to the disease-causing agent to see how effective the vaccine is. That is how the editor and author could have handled that part of the book.

Despite this very distracting mistake and the at times poorly written action, I found the story itself fascinating and engrossing. The main character struggles realistically with what she faces. The expressions of emotions feel real as do the people and their responses. And the responses are not all the same. Some people act to help others. Most are more selfish. It is a dark world but an interesting exploration of a plague-ravished world written before the COVID-19 outbreak. Despite the interesting story line, though, the poor editing really pulled me from the action and frustrated me.

My rating: 3/5

Lightspeed Magazine Issue 153

Let’s dive right in. Issue 153 of Lightspeed Magazine is for the month of February 2023. It is edited by John Joseph Adams, and all the stories are original.

First up is “Learning Letters” by Carrie Vaughn, a story of the far future after “the Fall”. An isolated and primitive but successful community is visited by a stranger in an airplane. Where did they get the fuel for it? Where have they come from? And what do they want? This world just drew me in and made me want more. (My rating: 5/5)

After a nuclear war forces people to live underground, people have the desperate choice between staying underground and slowly going crazy from the lack of sunlight or venturing to the surface and dying from radiation poisoning. “In(con)solation” by Octavia Cade is the story of a couple living together facing this impossible choice. The story is told in an interesting combination of first and second person voices. (My rating: 3/5)

In “The Day the Earthman Didn’t Show“, Adam-Troy Castro tells the tale of a collectivist alien society that knows the future and works together to plan for it. For millennia. Only what if something happens and the prophecy doesn’t come true? Read this delightful story and find out. (My rating: 4/5)

Have you ever written to your congressperson or senator? If so, I bet it was nothing like the letter in “Subject: More Monsters Will Not Make Us Safer” by Paul Crenshaw. The problem this author is concerned with is using monsters to make children safer in schools. An interesting look at a current hot button issue. (My rating: 4/5)

All houses change as you live in them, even if you never renovate them. But the changes in “The House of Linear Change” by Oluwatomiwa Ajeigbe are way beyond that! The son of the homeowner finds himself in a bit of spot. This one was a bit trippy for me, but may be just your thing. (My rating: 3/5)

The title “Real Magic” by Sharang Biswas at first doesn’t quite seem to fit. People nervously approach the local witch to seek her help with a problem. One by one she sets them each on a quest that gets them what they want but with no real magic. She saves the real magic for the really important things. (My rating: 4/5)

I was surprised to learn that the title library in “Guidelines for Using the Harry Elkins Widener Memorial Library” by Marie Brennan actually exists. The author created a fantastic version of guidelines for using it based on her own time there. A fun read. (My rating: 4/5)

As a child did you ever need to stay with family or friends when something unexpected came up with your family? The boy in “His Guns Could Not Protect Him” by Sam J. Miller experiences this when something happens to his father. No one will tell him as he tries to protect his little brother from learning the danger their dad is in. This one really brings that childhood feeling to life. (My rating: 4/5)

That’s it for this month’s Lightspeed fiction! My ratings come out to 3.875 on average so another successful issue. Happy reading!

Sea of Tranquility by Emily St. John Mandel

I read and loved Station Eleven, but when this book came out I wasn’t sure I was going to read it. As last year came to an end, many people had it on their lists of best books of the year. So it got on my “to read” list. And last week I finished reading it. It was much shorter than I expected and also much better than I expected.

The story takes place in different time periods from 1912 to the far future. That’s part of what turned me off to the book. Sounded like it was all over the place. It’s not. Well, it is in terms of time but not in terms of the story. It all connects. And in a most satisfying way.

The characters, like her previous book, are fully formed and relatable even when I don’t like them. The writing flows drawing me into the story and keeping me reading long after I had planned to stop for the evening. And surprisingly it shows a lot of compassion and humanity through a few core characters. I’m glad that I decided to read this one.

My rating: 4/5

Clarkesworld Magazine Issue 197

I didn’t start my subscription to Clarkesworld Magazine until after the first of January, so the February issue is my first issue. It was worth the wait.

For me the first story is an outlier. I didn’t like it very much. In fact, I’m not sure I really understood it. Maybe I was too tired. Maybe it just isn’t for me. You be the judge of “The Portrait of a Survivor, Observed from the Water” by Yukimi Ogawa. It didn’t work for me. (My rating: 2/5)

There is a lot of talk these days about AI. One researcher even believes that the AI he works with is sentient! In “Somewhere, It’s About to Be Spring“, Samantha Murray tells how a space ship achieves sentience throughout its systems after losing its crew. A touching story. (My rating: 4/5)

A philosopher of cognition doesn’t sound promising as a short story writer. But in “Larva Pupa Imago” Eric Schwitzgebel tells the fascinating journey of a caterpillar from birth to becoming a butterfly. As a caterpillar he enjoys a close friendship until he becomes a butterfly and sets out to procreate. (My rating: 4/5)

“An Ode to Stardust” by R. P. Sand is about a woman hampered by real chronic pain her whole life. She tries to hide it from everyone around her and succeeds to become the youngest commander on the moon. There, for the first time, she makes a friend that she can be completely honest with. And it changes both their lives. (My rating: 5/5)

“Introduction to 2181 Overture, Second Edition” by Gu Shi, translated by Emily Jin is presented as the introduction to a book in the future about cryosleep. People are frozen until their terminal illness has a treatment. This is nothing new in fiction. But the author goes a bit further. People become voluntary “time migrants”. They allow themselves to be frozen for a time so they can travel into the future where presumably things will be better. Throughout this story is weaved the author’s relationship to the history of cryosleep. Wonderfully told. (My rating: 4/5)

“Silo, Sweet Silo” by James Castles is one of my two favorite short stories of the year so far. The story takes place after a nuclear war. A group of survivors looking for safety and shelter find a missile silo complex that has been abandoned by humans but is controlled by a missile that failed to launch. They come to an uneasy agreement. The humans can stay if one of them will launch him in thirty days. After all, he wants to complete his mission. Read it to learn how it all turns out. (My rating: 5/5)

In a world with no food other than nutritious but tasteless bran bars, an old woman awaits her “Going Time“. Amal Singh describes a chaotic society that is barely held together by a religious leader. The old woman’s daughter learns some things about the leader that she refuses to believe. And her neighbor shares with her a view of where she will retire to. But is everything as it seems? (My rating: 4/5)

My average rating for the fiction in this issue is 4/5. Let me know if you agree with my ratings. Happy reading!

Struggling with History

Kindred by Octavia E. Butler. I devoured this book. It is a historical novel about a woman living in 1979 who keeps being yanked back to an antebellum Maryland plantation worked by enslaved people. Why? It’s not clear, but a member of the plantation family turns out to be one of the woman’s ancestors. The story explores how a twentieth-century black woman would fare on a slave plantation.

That on its own is an interesting premise for a story, but with Butler’s storytelling and imagination it is so much more. It explores slavery and humanizes both the enslaved and the enslavers while still exposing the absolute inhumanity of slavery itself. Her husband is white and is with her on one trip to the past. This allows Butler to explore not only the obvious injustice and brutality suffered by those enslaved, but also the effect on the enslavers of growing up in a culture and family that endorse such a violent and degrading economic system.

And now I have made the book seem depressing, and at times it is. But the best word to describe this work is human. It is the story of everyday people trying to live their lives as they struggle with the lived reality that was slavery. It honestly made me think in ways I had never considered. It exposed the ugliness and cruelty of slavery as well as how those involved did their best to simply live their lives. Most controversial issues get oversimplified. Not in this book. Butler stares directly at the problem, making the reader experience it and, hopefully, start to come to terms with what many call America’s original sin. It’s a book every American needs to and should read.

Uncanny Magazine Issue 50

Time for the next magazine review in my year of short fiction. This one is Uncanny Magazine Issue 50 for January/February 2023. Let’s dive right into the story reviews!

The first story, “Collaboration?” by Ken Liu & Caroline M. Yoachim, is experimental. It attempts to tell the story of two beings creating worlds together. In the ebook version they use what they call an accessible version that will work for screen readers. It didn’t really work for me. It’s a little better on the website but still not my cup of tea. (My rating: 2/5)

Next up is “Cold Relations” by Mary Robinette Kowal. This is by far my favorite story of the year so far. It tells the tale of a brother and sister on opposites sides of the law where magic is concerned. They’ve become estranged but start to come together in a way that surprises. Emotion-filled storytelling that is both realistic and tugs at the heart. (My rating: 5/5)

“How to Raise a Kraken in Your Bathtub” by P. Djèlí Clark is exactly what it sounds like in the title. A wannabe somebody in the Victorian era mail orders a kraken egg and raises it in his bathtub. As you can imaging, things don’t go to plan. The author really brings you into the world of his unlikable protagonist and makes you feel the consequences of his hubris. (My rating: 4/5)

A. T. Greenblatt shows us “Waystation City” through the experience of twins who are seeking to leave it. Everyone arrives without knowing when they will leave. The twins get tired of waiting and seek a guide to get out sooner, as many others have. The feel of the city and how those in it are feeling really shine. (My rating: 5/5)

Imagine a plague-ridden world hollowed out by millions of deaths that has descended into a dictatorial corporate government. Now you are a trans woman living alone in an apartment where you once cared for the now-dead owner. Oh, and “you see dead people”, that is ghosts. This is the setup for “Horsewoman” by A.M. Dellamonica. The loneliness amidst all the voices is what came through most to me. (My rating: 3/5)

In “Flower, Daughter, Soil, Seed” by Eugenia Triantafyllou, a mother tells her daughter of the women in her family all the way back to her great great grandmother. The twist here is that they are all flowers. Each generation is a different flower that grew up in a different environment. The love flows through and down to each new generation. (My rating: 4/5)

In “One Man’s Treasure“ by Sarah Pinsker, the wealthy have so much magic they can afford to throw away its tools and artifacts. The garbage workers need to be careful not to be hexed by the things they pick up. One crew finds a statue that may be more than it seems. This story felt very Agatha Christie to me in all the best ways. (My rating: 4/5)

What if the Jesuits had an enclave on the moon? Why the moon? What would they do there? How would they relate the church authorities? E. Lily Yu explores these questions and more in “The Father Provincial of Mare Imbrium“. Like other Jesuits, these are scientists, and they discover something important. But will they be allowed to share their findings? (My rating: 5/5)

A cold, dark man arrives at a small village each month to take one of the women to be his servant for the month. No one ever sees these women again. “Silver Necklace, Golden Ring” by Marie Brennan is the story of one of these women. But she resolves to do something about her situation and takes her fate into her own hands. A well-told fairy tale of female agency in less than ideal circumstances. (My rating: 4/5)

Married husbands accompany a young female magician into the desert to guard her as she undoes the magic at the request of a recently deceased woman who performed that magic long ago in “Miz Boudreaux’s Last Ride” by Christopher Caldwell. Shades of Alfred Hitchcock’s The Birds heighten the fear and foreboding. (My rating: 3/5)

No matter where he lives or tries to escape it, the protagonist of John Wiswell’s “Bad Doors” simply cannot get away from the mysterious door that keeps appearing in the walls of his homes. It doesn’t help that he is dealing with a global pandemic and an uncle deep into conspiracy theories. Angst and helplessness and frustration are on hand here. (My rating: 3/5)

In “Prospect Heights” by Maureen McHugh, a young woman in a gentrified neighborhood of New York is warned not to turn right out of her apartment. Of course, she does, and as she explores the dilapidated building thinks she sees herself. Nothing really new here for me but the imagery and writing are good. (My rating: 3/5)

One bonus review. I don’t normally review the essays in these magazines, though I do read them. I highly recommend from this issue “Building Better Worlds” by Javier Grillo–Marxuach which discusses how world building in fiction works. It deals mostly with film and TV but also applies to writing. It is fantastic resource for any storyteller.

Overall, this was an excellent issue in my opinion. My short fiction ratings average out to 3.75. I’m looking forward to reading more short stories in my February issues!

Timeless Storytelling

My book club decided to read Hyperion by Dan Simmons for your January book in the science fiction genre. This book was first published in 1989 and won the 1990 Hugo award for best novel. I had it on my to read list, but it just didn’t call to me. I read something that described it as Canterbury Tales in space. Didn’t really appeal to me. But boy am I glad my book club selected it to read.

Though it was written in 1989, it still feels contemporary. There are references to a communication technology called the Web that’s not the same as what we have today but has a similar feel. It speaks to “time debt”, taking into account relativity and how that would affect a space-faring civilization. And the storytelling is superb.

The plot involves seven people making a pilgrimage to the planet Hyperion. The book is essentially a series of related short stories, each chapter being the story of one pilgrim’s reason for making the trip. In the background is the mysterious Shrike who lives on the planet and is the destination of their joint pilgrimage. Their reasons vary from love to religion to family. Each story by itself is worth your time, and together they make a novel that stands the test of time.

Lightspeed Magazine Issue 152

I previously subscribed to Lightspeed Magazine a few years ago. I resubscribed as part of my “year of short fiction”. Here are my brief reviews for the fiction in Issue 152 for January 2023, my first since I started reading it again.

The first story in the issue is The Last Serving by Lincoln Michel, about a vegetarian cook who conquers the culinary world and looks for her next challenge. She settles on learning to cook meat, but with a unique approach. As a vegan, I really connected with this. I really felt the motivation for the chef’s vegetarianism, and it ends with a humdinger of a twist. (My rating: 5/5)

This is followed by A Guide to Alien Terms Useful in the Human Diaspora by Deborah L. Davitt, a short glossary of alien linguistic terms. It is an interesting look at culture and language. It ends with a paragraph that uses all the words in the glossary. I found the format to be unique but the piece itself was just okay for me. (My rating: 3/5)

Imagine Survivor or The Amazing Race on a planetoid where if you die as a fan favorite, they simply bring you back to life and re-insert you into the program. Oh, and you are indentured to the production company. Two of the characters conspire to find a way out in The Narrative Implications of You Untimely Death by Isabel J. Kim. This is a well-written and entertaining exploration of facing hopelessness. It really grabbed me. (My rating: 5/5)

From the Largest Crater by Jendayi Brooks-Flemister is story of separation anxiety told as audio diary entries. A woman goes on an expedition from the moon to earth in an attempt to save her climate ravaged birthplace. Her wife stays home alone missing her. The telling felt overly long and didn’t feel like a particularly new take on this theme. (My rating: 2/5)

This is followed by one of the longest titled short stories I’ve ever seen–A Man Walks Into a Bar; or, In Which More Than Four Decades After My Father’s Reluctant Night of Darts on West 54th Street, I Finally Understand What Needs to Be Done by Scott Edelman. In it a son tells us of his dad who played darts in a league in the seventies and his run in with a particular famous New Yorker. The love and connection to his father really come out on the page. And what he decides to do in the end is an unexpected turn. (My rating: 5/5)

In Braid Me a Howling Tongue, Maria Dong tells of young enslaved girls living and working together. Once every five days they are put outside to fend for themselves as they are hunted by a large creature. One of those girls is an outsider with no tongue. She connects with another of the girls as they learn to cope with their circumstances and seek to better them. A very touching and haunting story of love and care for others told from a place filled with despair. (My rating: 5/5)

In Between the Stones and the Stars by A. L. Goldfuss a hunter and a warrior arrive at a temple to claim the same prize–a chalice. But rather than fight, they decide to camp together and share their food and enjoy each other’s company. But what about the chalice? I enjoyed how this trope was humanized through the individual experiences of each character. A short read worth your time. (My rating: 4/5)

The focus is on light in In the Deep Woods; The Light is Different There by Seanen Mc Guire. A young woman recently divorced spends a night in her family’s old house in the country. The parts of this story (the light, the protagonist, the neighbors) didn’t come together well for me despite the excellent writing. (My rating: 3/5)

I love stories that deal with deep human issues. The final story, The Ministry of Saturn by Benjamin Peek, explores the nature of creativity, freedom, power over others, and what we owe others. This is the tale of a magician, a homunculus, and his creator. (My rating: 4/5)

My average rating for the fiction in this issue comes out to an even 4. An excellent issue with a mix of great stories well told. I look forward to reading the next issue.

Unusual Style

I Have No Mouth and I Must Scream book cover

I was familiar with the name, but I had never read anything by Harlan Ellison. Recently his Hugo Award winning short story “I Have No Mouth and I Must Scream” came to my attention, so I borrowed the book of the same name from my library. It is a collection of some of his short stories, originally published in 1967.

The book includes an introduction by Theodore Sturgeon and a Foreword by the author. The author also writes a brief introduction to each story in the collection. The story titles are:

I Have No Mouth & I Must Scream
Big Sam Was My Friend
Eyes of Dust
Word of the Myth
Lonelyache
Delusion for a Dragon Slayer
Pretty Maggie Moneyeyes

My favorite stories are the first and last. His style is unusual. A bit stream of consciousness. In the foreword and introduction, both writers comment on how Ellison’s style is not for everyone. For me, the stories here were a mixed bag. Some I liked okay. Some felt a bit dated. Overall, I have to say that I appreciate having read this book, but I don’t know if or when I might pick up anything else by Harlan Ellison.